Copyright Garnon Davies
Pamela Banks is an actor, singer & co-founder of Vital Signs Theatre. They recently toured a production of Laura Wade’s play ‘Other Hands’.
“If I could just act, and play the parts that excited me, then I would”. Like many actors, Pamela Banks has occasionally felt frustrated with the range of opportunities the industry throws her way, ‘I’ve done a lot of comedies…farces, which are great fun but the female characters in them can often be quite one-dimensional’. Taking on more meaty roles often involved working for little pay, for small and sometimes rather disorganised set-ups. Whilst appearing in one such production, Pamela got chatting to fellow cast member and friend, Lucy Lill, and they decided to have a go at producing a show. ‘The idea was born out of frustration really…we felt we might be able to do a little better ourselves’.
The girls found themselves a play with two strong female characters, and booked a week at a London fringe venue to stage their experiment. They raised the money through singing at fundraising concerts in Pam’s native Oxfordshire and the production went down a storm, selling out every night. With one under their belt, the pair decided to keep the company alive and have since gone on to produce several more plays, each more ambitious than the last.
Pam describes her feelings towards producing as ‘mixed’, enjoying the challenge and satisfaction of the end result, but not the ‘endless fundraising and funding application forms’. Luckily for her, whilst she looks after the company books, her collaborator Lucy is a natural at that sort of thing, so the division of labour seems pretty harmonious. Continue reading
Posted in Interview
- Tagged actor, laura wade, other hands, oxfordshire, pamela banks, polymath, producer, producing, theatre, touring, vital signs, Young Vic
Copyright Charlie Carter
After training at Central School of Speech & Drama, Emily went on to found Jagged Fence Theatre Company. Their most recent production was a critically acclaimed adaptation of ‘The Seagull’ by Anya Reiss.
How did Jagged Fence come about? Did you always aspire to be a producer?
Well no, at first it was a vehicle for me to act really, me and a couple of other girls who I trained with at Central. But then I realised that I had a certain aptitude for producing and I began to enjoy that side of it more and more. After a couple of years of producing and acting in Jagged Fence productions, I then produced the first play that I wasn’t in, ‘Lizzie Finn’ at Southwark Playhouse.
How did you find taking a step back from acting for ‘Lizzie Finn’?
It completely changed my whole outlook, and actually I didn’t really enjoy that first process very much! But it was good in a sense, because it made me really differentiate between my job roles in different productions. Now, the ones that I exclusively produce, I can enjoy and focus on producing, and the ones I’m going to be in…I’m very clear about that from the beginning with both myself and the creative team.
Is producing something that’s grown on you then?
Yes. I feel now….that I don’t think I could be just an actress. I’d hate the life….I think if I hadn’t started producing, I’d probably still be trying to make a career in acting, but there’s no way I’d have done the plays that I’ve done, or have the agent that I’ve got, if I hadn’t started the company. I love the fact that now I have the freedom to create something from nothing. Continue reading
Katie is an actor, currently appearing in BBC3’s new comedy series Bluestone 42. She is also a writer, private tutor, work-shop leader and (sometimes) producer.
Was it a conscious decision to become a ‘polymath’, or something that happened organically over time? I think it’s in my nature…I’ve always wanted to do lots of things. It’s that, combined with the need to survive. After an initial run of work when I first started acting, I was working as a waitress in a hospital, and I ended up not getting a call from my agent for 3 months. I just found it really frustrating…feeling like you’re not in control of it, and so I think that what’s driven me to be a ‘polymath’.
What was your first leap into polymathy? My friend Morgan and I wrote and produced a show for the Edinburgh festival, and after that we were fortunate enough to get onto a BBC scheme called ‘comedy college’ and that was probably when I started saying ‘actually, I can write..I am a writer’. We produced all our Edinburgh shows ourselves out of necessity, but the one year we did end up going with a production company, was the one year we lost money!
Which have been your favourite experiences? Do you prefer just acting or do you like to be more creatively involved? I think I would creatively be frustrated if acting was all I did…. Continue reading